From the back cover: Oslo 1969.
When a wealthy man collapses and dies during a dinner party. Norwegian Police InspectorKolbjorn Kristiansen, known as K2, is left shaken. For the victim Magdalon Schelderup, a multi-millionaire businessman, and former resistance fighter, had contacted him only the day before, fearing for his life.
This is the second book in the series featuring K2, and his brilliant young associate, the wheel chair bound Patricia, and is dedicated to Agatha Christie. The narration is in the first person by K2, and the plot is a classic in that there are a limited number of suspects, the ten that attended the dinner party, and that the victim is a thoroughly unpleasant character. Therefore the book comes over as being very similar in atmosphere to The Human Flies, the first book in the series. One persistent theme, like the previous book, is events during the German occupation of World War II.
One misconception about Agatha Christie’s body of work is that she wrote the same English country house mystery over and over again, when in fact by varying the location and producing new plot twists she kept her work fresh. If she did parody herself there were usually thirty or forty years between the books.
The ten guests at the Schelderup dinner party, include a wife, two ex-wives, three children from the various wives, a young attractive secretary, and friends who go back to his wartime activities. K2 must negotiate his way through this plethora of suspects, numerous red herrings, and of course in true Christie tradition some of his suspects will not survive till the end of the book.
The combination of K2 and Patricia is unlike Poirot and Hastings, or Holmes and Watson, and much more like Nero Wolfe and Archie Goodwin. K2 tells the story and does the legwork, but Patricia is very much the brains behind the duo.
I found myself faltering while reading Satellite People, as I was distracted by advancing old age, the serious political problems facing this country, and very much more pleasant events. I would not say that Satellite People is a great read because the plot lines are very derivative, as they were intended to be, but this means that it lacks a freshness and the ability to grip the reader. But if you haven’t read a lot of classic crime fiction it is a very interesting take on the genre.
Patricia stared at me wide-eyed for a moment.
‘You surpass yourself,’ she remarked, apparently serious.
My joy lasted for all of ten seconds. Because when she continued it was far less pleasant.
‘I would not have believed it was possible to get so much wrong in two sentences, and at such a late stage of a murder investigation.’